If you wanted to get the relevant knowledge of the recording a few decades ago, it was very difficult because there was no internet at that time and you could only go to the library, the school, or the training institute. However, there is a lot of information on the Internet. How to extract useful parts from it is very important because most of the information is useless or even wrong. The key knowledge brought today can effectively help you improve the recording efficiency and results, and avoid being misled by some wrong information.
Do not use aluminum ribbon microphones to pick up loud sound sources?
Around the 1950s, the main microphones used in radio stations were ribbon microphones. The advantage of the ribbon microphone is its exceptionally good sound reproduction and detailed details. The ribbon microphone is indeed more fragile than later moving coils and condenser microphones, but it was already a matter of decades ago. Aluminium band microphones can now easily pick up the sound of guitar amps or various brass instruments. Driving high sound pressure levels is no problem at all. sE VR1 and RNR1 are typical modern high-tech ribbon microphones.
Is the bigger the better signal recorded?
Even so many people in the industry are aware of it. It comes from the concept of using tape to record sound works. On the one hand, the smaller effective signal at the time of recording leads to a greater proportion of noise. On the other hand, when recording a rock-and-roll work, the sound that is compressed at the peak and slightly compressed will bring about a better listening effect. But the above two points are all wrong in the digital era. First, digital recording has a dynamic range of 144dB under 24bit quantization (many high-end devices have internal sampling accuracy of 32bit! Such as Apogee Symphony I/O), so the appropriate signal Recording under the intensity can be; there is a digital recording overload is different from the analog recording will produce staining, but will directly cause clipping, the excess part is directly cut off instead of a compressed margin like the analog device, resulting in direct sound Not the taste.
Add an external clock device to improve sound quality?
First of all, let's make it clear that if you have more digital devices, such as 5 or more, it makes sense to add an independent Black Lion audio word clock device. Black Lion Audio's Micro Clock MKIII is currently It can provide a word clock device with a sampling rate of up to 384kHz, and can effectively improve the sound quality enough to be applied in various audio fields. If you only have one or two digital devices, the clock's improvement in sound quality is limited. The purpose of the main work of the clock is to coordinate the various devices so that they work synchronously, without delay due to time-to-position and thus bring about a bad sound. Unless your audio interface has a poorly built-in clock (usually entry-level sound cards usually have poor clock quality), adding a stand-alone word-clock device will not improve sound quality, so be sure to carefully consider before choosing a clock device. And consult professional advice as much as possible.
Use a daily quilt or plastic foam to absorb sound?
In fact, it is feasible to do so, but it should be noted that the amount of sound absorbed by each material for different frequency bands is not the same. If you get better results after using a quilt, you can, of course, do not use it. . Maybe big pillows are easy to use in their homes, but in your homes it makes the sound effect worse. In fact, the use of sE RF Filter acoustic reflection filters is a good idea for friends with lower budgets, which is much cheaper than acoustic decoration.
Hardware devices must sound better than software plug-ins?
It was correct to say so before, but now it is not necessarily. There are both hardware and software in a good recording studio, especially now the software is very accurate in dealing with the balance, the hardware is more to add some personalized audio and video, of course, in the compressor part of the software you want to catch There is still a long way to go for hardware, the Shelford Channel of Rupert Neve and the diode bridge compressor in the 535 are a combination of old-fashioned classic compression and new technology that can bring extraordinary results and are currently available on the market. The only option to recall the Neve classic sound that was closest to the 70s. Of course, the most important thing for the mixer or even the mixing work is the professional skills of the mixer.
The standard operating method of recording?
The methods summarized by the experts are the more common practices obtained after continuous experimentation. Operating in accordance with universal laws can improve your efficiency, but it does not necessarily mean that it applies to your situation. Therefore, recording is not a fixed operation. If you feel that it is not a decline, then record it according to a fixed routine, and then correct it according to your own wishes. Simply put, that is the actual recording process, you must combine the recording environment at the time, try more and summarize your own recording needs and recording experience. After you work for several years, you are the recording master.
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